Welcome to [art]seen!

Welcome to our online forum for discussing the arts on campus and in Ann Arbor! Write a review of an event you’ve attended or artwork you’ve seen,

or write a preview for something you’re excited about! Write about what interests you — Music, Dance, Visual Arts, Theatre, Literary Arts, Film, even Architecture! You can register here and begin posting immediately.

If you have any questions or run into any technical problems, please email us at arts@umich.edu.  If you’re a UM student interested in becoming a regular blogger, there may be a position available to get paid for your blogs!  Read more about Blogging Opportunities here!

Review for the Sapphires

I will say that this has been one of my favorite movies of the year. I suppose the main reason it becomes my favorite is because it does such a good job mixing light-heart-ed comedy and depth!

This is about 4 young girls who want to become a girl band. This is by no means an easy feat for any group so young. But this is an universal story among many who are young. After all, I am sure a lot of us know at least one person who started a band in their garage!
It contains some great light-hearted story lines. There is the sister who dreams of kissing a boy in her dreams; there is the story of the youngest, whom the mother won’t let out of her sight; then there is the story of the father who won’t let any of them out of their sight-especially with a “Gubber” ( white) man; then there is the story of the oldest sister who serves as the “mama bear” of the group- but who cannot be the leader in singing; then there is the light skinned outsider of the girl group who is still seen by some with suspicion.
But as the above paragraph indicates– there is a lot of heaviness in some of those classic light- heart-ed elements you might find in stories of people.
The mother and father not only want to let their daughters out of sight because they are young- but because they are entering a war zone in Vietnam! In addition, the Aboringial Australians are quite hated by the Whites in Australia. A taxi never waits for them. Nobody ever claps for them at a concert-except for one naive White boy. And the outsider of the group Mel, didn’t become an outsider necessarily out of her own volition. She became one do to the cruel entity of Australia’s past- The Stolen Generations. This is when Australian authorities stormed into Aboriginal households to steal. Not to steal gold, money, goods ( as Lovelace’s character naively asks) but their most precious resource of all- the children. Well, the fair skinned children. So Mel was kidnapped and years later she came back for her mother’s funeral in the Aboriginal community- where she said, ” You know you guys could do so much better if you properly fished these waters.” Some in her community, especially her cousins in the girl group- hold that against her. Of course her Mama bear cousin Gail.. eventually gets in a fight with her about it.

Some other interesting twists to this story are that you often hear about Black young girls in the US who started groups in the 1960s. That’s what the Supremes were about. Martha and the Vandallas. The Dreamgirls musical. The Dreamgirls movie. Even Whitney Houston’s last movie-Sparkle was about that. But when do you hear about other Black ethnicities wanting to start a group like that. I have never heard of one such group in the 1960’s coming from England. France. And until this, oceania.

On top of that this movie tackles some other cultures. These girls are going to an Asian country to perform for American men. The movie, didn’t make this a big issue but I thought that it was interesting that they didn’t experience any discrimination from any Viets while they were there. I was also surprised that they didn’t experience more discrimination from the Americans . Except for one scene, there wasn’t any discrimination that the girls faced from White men. I would even say, that some of the Whites had crushes on them! Even the Blacks didn’t question them about their Blackness or made an issue about how they were “different” blacks.

But in perhaps the greatest  moments come from the race-bending that happens in this movie. Or rather I should say the race-bending lines. These girls started out mostly singing county and western music. Then White Dan Lovelace says Country and western sings sad music an about a struggle. But soul he said was about struggle, but the people who sang about it, owned and conquered the soul. It was powerful hearing his explanation. I should add that Chris O Dowd’s acting made this character’s performance really seem like he understood soul. The way he got into it.. it exuded soul through the screen.,, as if soul had a texture. I will add, that it was funny seeing  him trying to explain a genre of music that many might not associate with his race. I say kudos to him, because music belongs to everyone and everyone in does music is inspired by this colorless entity! The girls however question how he knows all this, and he says, I have afro blood in me. I am not sure he did though… but there were definitely many other racial and ethnic bending.

In sum, this is a good movie to see since it has many typical family situations, light-heart-ed comical lines combined with a deep history of a rarely heard of ethnicity in the US. So please see it. Please take a break from finals and go see it. If you are graduating.. go and take your parents to see it! I will say that this a great movie to end my artscene year with. I have loved writing this year as an artscene writer.critic. Thank you all the readers who made this possible.

Preview for the Sapphires

If you are in the mood for something funny yet has pockets of in depth issues, than this is for you.
The Sapphires is a movie about 4 young aboriginal Australian women who wish to form a girl group in Australia- in 1968. During this time, especially in Australia, this is never heard of.
After failing a contest ( where the audience ended up voting for a White singer.. who really couldn’t sing well).. they seek out Dan Lovelace.. the contests emcee- who gets fired.
They ask him if he would be willing to be their manager and take them to Vietnam, where they would all get paying gigs to perform infront of the American troops. Well.. they do end up going.. What happens? Well, you need to find out for yourself!

If you need a study break, want to hear some good music, see members of an ethnicity rarely portrayed in cinema ( ahh.. how many of us remember seeing Aboriginal Australians in any movies? Ok well maybe the Baz Lurmann movie Australia.. that’s about it); see a war happening; romance, youth, changing times.. well, then this is the movie for you!

Preview: Trojan Women (After Euripides)

The SITI Company– an ensemble based theater company founded in 1992– will be gracing the stage of the Power Center for the Performing Arts with their production of Trojan Women. First performed over 2400 years ago during the Peloponnesian War, Trojan Women is often regarded as a commentary on the barbaric behavior of the Athenians toward the women and children of the people they conquered. This adaptation by Jocelyn Clarke combines Euripides’ text with contemporary characters.

The prodcution will be running Saturday, April 27th, at 8:00pm and Sunday, April 28th, at 2:00pm. Tickets range from $18 to $48 and this promises to be a show you do not want to miss.

Review: Akron/ Family

I wasn’t quite sure what to expect from Akron/ Family. Turns out they are a lot like “El Ten Eleven” in the way they just play for long periods of time. Each song was about ten minutes long, which wasn’t a problem, their sound is easy to zone out to.
With a combination of drums, bass, guitar, keyboard sound manipulation and vocals, there is a lot to listen to. Unfortunately the Blind Pig has a habit of raising the volume on instruments too high and not equalizing the vocals, so they get swallowed. The nice thing about Akron/ Family is that their vocals only added to the ambiance of the over-all sound. It was annoying not to hear the lyrics though.

This was one of the more relaxed shows I have been to at the Blind Pig. It was a nice, chill crowed.

REVIEW: Crazy for You…. so crazy!

Last Friday I went to see the Musical Theater Department put on Gershwin’s “Crazy for You.” This production is filled with memorable songs like: “Slap that Bass,” “I’ve got Rhythm,” “They Can’t take that Away from Me,” and “Nice Work if You Can Get it.”

Although the production started out a little slow, and there were a number of technical difficulties, a lighting gel fell on stage at one point, the cast of the production expertly handled all of these slip ups in an expert fashion.

The highlight of the production was the dancing. It’s been a long time since I’ve had the pleasure to see a non-professional theater put on a production with such amazing choreography.

Shari Jordan was the “Susan Stroman choreography recreation” choreographer. Susan Stroman has won numerous awards for her work, most recently the Producers (Mel Brooks). Shari Jordan was in the original cast and film of the Producers, she played the lesbian stage manager “Shirley Markowitz,” as well as the assistant choreographer to Stroman.

The dancing was truly wonderful to watch, kick lines, chorus girls, acrobatics, tap dancing and wonderful duets between the leads. I was breath taken.

The chorus did an excellent job keeping the energy up and the background occupied. Their voices blended wonderfully and they managed to be both a smoothly knitted group while maintaining individual interest.

L’ogan J’ones played Bobby Child the lovable young man trapped into a financial job by his controlling mother, who only wants to be a Broadway dancer. J’ones has a very lovely voice and dances beautifully. He had a lot to carry in this production and I was impressed by his stamina.

Mary Little played Polly Baker, the Navada tough girl sweetheart with whom Bobby falls in love. Little’s voice was surprising and moving. I must admit the sound of her singing “They can’t take that away from me” made me cry! She is also a beautiful dancer and has quite a strong stage presence. I was very impressed by her.

Over all I really enjoyed this production. The few things I wasn’t so keen on was the implications of bondage in “Naughty Baby,” I thought that was taken a bit far. Also, the energy in the first quarter of the play felt rather flat, although whether that was the actors or the stupor of the audience is always a question (this was the evening of tensions in Boston.)

I really appreciated the modern twist on personalities. Often these older more classic musicals can feel outdated, I think the Theater Department did a very nice job updating the feel of the production.

I look forward to the next production and applaud the cast and crew of this dazzling piece of theater.

Preview: Crazy For You

A wonderful Gershwin musical, which has a cameo in Mr. Holland’s Opus (1995):

Music & Lyrics by George and Ira Gershwin • Book by Ken Ludwig
Department of Musical Theatre

April 18 at 7:30 PM

April 19 & 20 at 8 PM

April 21 at 2 PM

The Story: Bobby Child, a well-to-do playboy of the 1930s, yearns to dance on Broadway, but his mother expects him to join the family banking business. To get him away from the stage, she sends him to the small town of Deadrock, Nevada, to foreclose on the local theatre. Bobby arrives in Deadrock and promptly falls in love with the theatre owner’s daughter, Polly. Determined to fulfill all of his dancing dreams, Bobby hatches a scheme to save the theatre with a grand show featuring the townsfolk. However, the cowboys can’t dance, Polly hates him, and the show has no audience. Can Bobby save the theatre, become a star, and win Polly’s heart?