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"Halloween Weekend with the Art of Chicago"
Saturday, October 29 - Sunday, October 30, 2005
CHICAGO!
Bus departs Saturday, October 29, at 8:00am
Admission Fee:

$195.00 (for Undergraduate students only)

HOW DO I BOOK A GROUP OF 10 OR MORE?
Group sales deadline for this event is: Friday, October 21.

Join two Lloyd Hall Scholars Program Art classes on a special Culture Bus trip to Chicago the last weekend in October. Leaving Ann Arbor, Saturday morning, Oct. 29th and returning late Sunday evening, Oct. 30th, you (and a friend?) will stay one night at the Congress Plaza Hotel located just two blocks from the Chicago Art Institute and Millenium Park. The trip will include reserved seating to the Chicago Shakespeare Theater's production of The Merchant of Venice, a fantastic architectural boat tour of Chicago by river, and tickets to both the Chicago Art Institute and the Chicago Contemporary Art Museum. All tickets, round trip bus transportation and hotel accommodations are included in the all inclusive low price of $195.00 per person (based on double-occupancy).

*Meals are not included and are at your own expense. Transportation is provided courtesy of Arts at Michigan (a $50 value).

ITINERARY

Saturday, October 29, 2005
8:00 am : Leave Ann Arbor
12:00 pm : Arrive Chicago
1:00 pm : Check-in at Congress Plaza Hotel
1:30 pm : Take bus to SOFA Show 2005 at Navy Pier
4:00 - 7:00 pm : Chicago Shakespeare Theater on Navy Pier: Merchant of Venice
7:00 pm : On your own


Sunday, October 30, 2005
10:00 am : Chicago Art Institute
1:00 - 2:30 pm : Architectural Boat Tour
3:00 - 4:30 pm : Chicago Contemporary Art Museum
5:00 - 6:00 pm : Dinner
6:30 pm : Leave for Ann Arbor

Congress Plaza Hotel
The Congress Plaza Hotel, a historic Chicago hotel on Michigan Avenue, was originally designed and built to accommodate visitors to the World's Columbian Exposition in 1893. Over the years, this 14-story property has catered to our nation's Presidents, foreign dignitaries, opera performers, stage and movie celebrities, business travelers, and a multitude of conventions. Located on a picturesque setting on Michigan Avenue, adjacent to Grant Park, this hotel is ideal for visitors wanting a taste of Chicago.

For more info: http://www.congressplazahotel.com/

The Twelfth Annual International Exposition of Sculpture Objects & Functional Art: SOFA CHICAGO 2005

The Sphere of the Material

Whether one stands before a monumental ceramic human head made from 8000 pounds of clay by James Tyler, pondering the single word TRUTH carved repeatedly into it like a scar or mantra; the polished, raw surfaces of an Ivan Mares molded glass sculpture, at once a lamentation and tribute to nature's brute carvings and selective sheen; or Norie Hatakeyama's ectoplasm of simple packing paper, mysteriously alive, breeding dead-end tunnels from the inside-is to be confronted by these artworks' very objecthood, their materiality and virtuosity of process.

Special Exhibitions "Convergence: Crossing the Divide" - The Studio Furniture of Tasmania and America

Studio furniture makers from opposite sides of the world present the most recent designs in contemporary studio furniture, often combining historical traditions with sculptural interpretations. Presented by The Furniture Society.

"Flatware: Function + Fantasy"

An exhibit of flatware from Metalsmith magazine's 'Exhibition in Print 2005', co-curated by Rosanne Raab, independent curator/collection adviser, and Boris Bally, designer/metalsmith. Presented by the Society of North American Goldsmiths (SNAG).

Updating Traditions

A curated exhibit of contemporary decorative artwork by artists currently living in Israel. Presented by the Association of Israel's Decorative Arts in cooperation with the Eretz Israel Museum.

For more info: http://www.sofaexpo.com/

Chicago Shakespeare Theater THE MERCHANT OF VENICE
September 2 - November 12, 2005

Artistic Director Barbara Gaines kicks off this diverse and far-reaching season with Shakespeare's most controversial play about opposing worlds-of prejudice and persecution, of young love and liberty. Shylock, the outsider, is performed by Mike Nussbaum. Kate Fry is the strong and savvy Portia, and Timothy Edward Kane, her devoted Bassanio.

For more info: http://www.chicagoshakes.com/

Chicago Art Institute
East Asian Ceramics: Then and Now
July 2 - November 6, 2005
Gallery 109

Overview: Contemporary ceramic artists in East Asia continually draw upon their cultures' highly developed traditions. An artist may use a glaze that became popular centuries earlier or experiment with a traditional glaze by changing the resulting color. Contemporary artists also quote wares of the past through form and technique. In this exhibition featuring works from China, Korea, and Japan, pairs of contemporary and premodern objects are on display. In each case, the artist of the contemporary piece consciously adopts aspects of the earlier ware while creating a thoroughly modern work of art.

Paris: Photographs from a Time That Was
August 13 - November 6
Galleries 1 and 2

Overview: Eugéne Atget, Brassaï, Henri Cartier-Bresson, Robert Doisneau, André Kertész, Jacques Henri Lartigue - some of the greatest photographers of Paris - were hardly known when they began their most innovative work. Being obscure and thus unburdened by career expectations, they experimented using the city as subject matter and backdrop and developed an entirely new approach to photographic imagery.

These photographers, in focusing on Paris, followed in the footsteps of Charles Baudelaire, Jean-Jacques Rousseau, and the boulevard flâneurs of the late 19th century who made walking and observing city life a philosophical and aesthetic experience. The new generation's acceptance and celebration of the fluidity of the city's street life focused on time as a new element in making photographs. This became one of the chief virtues of their profession as photojournalists for new illustrated magazines that would eventually make them famous. Masterworks from these now-famous visionaries of photography form the core of a selection of 100 images of Paris from the 1850s to the 1950s drawn from the Art Institute's impressive collection. An exhibition catalogue is also available in the Museum Shop.

1945: Creativity and Crisis, Chicago Architecture and Design of the World War II Era
Gallery 227
May 7, 2005 - January 8, 2006

Overview: Nineteen forty-five was a pivotal year that marked not only the end of the Second World War but also the close of an era that encompassed the boom years of the 1920s and the Great Depression of the 1930s. It heralded a new age of peace, prosperity, and equality, or at least the dreams for them. This exhibition and series of public programs will focus on American architecture and design of the 1940s, a neglected decade when compared with the celebrated accomplishments of the Machine Age 1920s and '30s and the International Style of the 1950s. The exhibition will be drawn from the extensive collections of architectural drawings and models within the Art Institute. It will consist of approximately 80 objects in a special installation by Stanley Tigerman within the Kisho Kurokawa Gallery of architecture. It also commemorates the 60th anniversary of the end of World War II in mid-August 2005. The objects within the exhibition will be organized thematically based on the results of several think-tank sessions with scholars of architectural and urban history, design history, and American history.

For more info: http://www.artic.edu/aic

The Official Chicago Architecture Foundation River Cruise

Only the Chicago Architecture Foundation, Chicago's First Lady, and Chicago's Little Lady can showcase Chicago's world renowned city architecture with style, class and comfort. Open air and air conditioned seating is available.

Learn about the architecture and design of over 50 buildings as described by trained volunteer guides.

For more info: http://www.cruisechicago.com/cflady/arcsell.html http://www.architecture.org/

Museum of Contemporary Art Chicago
Dan Flavin: A Retrospective
July 2 - October 30, 2005

One of the most innovative artists of the late twentieth century, Flavin (1933-1996) is best known for his works that consist almost entirely of fluorescent tubes in ten colors and five shapes. Large presentations of his art have rarely been seen due to the site-specific nature of many of his works. This exhibition is the first comprehensive retrospective devoted to his achievement as a major proponent of minimalism. The exhibition will include approximately forty-five light works beginning with a series called "icons," made from 1961 to 1963, which are constructed boxes with attached incandescent or fluorescent lights that show the influence of artists such as Barnett Newman and Marcel Duchamp.

Organized chronologically, the exhibition includes the "monuments" to Vladmir Tatlin, works made for corners that integrate light with architecture, large-scale installations and "barrier" pieces, works made in homage to fellow artists or as reflections of Flavin's thinking on political subjects, and a selection of works on paper that reveal Flavin's thought processes and working methods. The MCA's presentation will also include a re-creation of the 1967-68 exhibition of Flavin's work alternating pink and "gold" at the MCA, one of the earliest and most important installations of his work.

William J. O'Brien
October 8 - 30

Appropriating images from a wide range of materials, William O'Brien's artwork comments on media, the structure of information, and his ideas about sexuality. Through drawings, fiber art, video, paintings, and installations, O'Brien attempts to create an authentic relationship between his art and his life. For this exhibition, the artist will create an installation that reflects the constant state of flux and exploration that appears in all of his work.

For more info: http://www.mcachicago.org

The University of Michigan

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